Pierre Attaingnant, La Maurache, Julien Skowron, Vincent Lecornier, Muriel Allin, Alexandre-Pierre Levy, Michèle Vandenbrouque, Nicolas Zanlonghi, Hervé Barreau, Kléber Besson, Anne Carole Denès, Laurence Orlowski made "Suite instrumentale: La magdalena recoupe tourdion quand je bois du vin clairet" available on 1993. With this song being about 5 minutes long, at 4:57, "Suite instrumentale: La magdalena recoupe tourdion quand je bois du vin clairet" by Pierre Attaingnant, La Maurache, Julien Skowron, Vincent Lecornier, Muriel Allin, Alexandre-Pierre Levy, Michèle Vandenbrouque, Nicolas Zanlonghi, Hervé Barreau, Kléber Besson, Anne Carole Denès, Laurence Orlowski is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 25 in Eloge du vin et de la vigne de Rabelais à Henri IV by La Maurache, Julien Skowron, Vincent Lecornier. In terms of popularity, Suite instrumentale: La magdalena recoupe tourdion quand je bois du vin clairet is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Suite instrumentale: La magdalena recoupe tourdion quand je bois du vin clairet by Pierre Attaingnant, La Maurache, Julien Skowron, Vincent Lecornier, Muriel Allin, Alexandre-Pierre Levy, Michèle Vandenbrouque, Nicolas Zanlonghi, Hervé Barreau, Kléber Besson, Anne Carole Denès, Laurence Orlowski is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for 2 Lutes in Bb (Baron) - Bouree | Edward Martin and Paul Berget | A Major | 2 | 11B | 76 BPM | ||
Suite in G Major: VI. Chaconne | Robert de Visée, Yasunori Imamura | F Major | 1 | 7B | 117 BPM | ||
Dances From the English Dancing Master: Stingo 2 | John Playford, Folger Consort | A Minor | 1 | 8A | 172 BPM | ||
Lady Hunsdon's Puffe, P. 54 | John Dowland, Nigel North | B♭ Major | 2 | 6B | 78 BPM | ||
Diferencias sobre la Gallarda Milanesa (arr. for instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | E Major | 1 | 12B | 130 BPM | ||
Dezilde al Cavallero que | Diego Pisador, Juan Carlos Rivera | F Major | 0 | 7B | 90 BPM | ||
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
Horse's bransle | anon arr Alan Crumpler, Trinity Baroque, Julian Podger, Martin Pope, Steven Player, The Forbury Consort, The Holbein Consort, Alan Crumpler | A Minor | 0 | 8A | 129 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Sancta Trinitas | Antoine de Févin, Paolo Cherici | E Major | 1 | 12B | 132 BPM |
Section: 0.584862470626831
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