"Drei jiddische Lieder (Brezulinka), Op.53: 1. Berjoskele" by Viktor Ullman, Anne Sofie von Otter, Bengt Forsberg was released on January 1, 2007. With this song being about 5 minutes long, at 5:21, "Drei jiddische Lieder (Brezulinka), Op.53: 1. Berjoskele" by Viktor Ullman, Anne Sofie von Otter, Bengt Forsberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "Terezín / Theresienstadt". In this album, this song's track order is #14. Drei jiddische Lieder (Brezulinka), Op.53: 1. Berjoskele is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Drei jiddische Lieder (Brezulinka), Op.53: 1. Berjoskele by Viktor Ullman, Anne Sofie von Otter, Bengt Forsberg having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puts: The Hours, Act 2: "Did It Matter Then, She Asked Herself" (Laura, Virginia) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kelli O'Hara, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Der Kaiser von Atlantis: Wie spät ist es - Bin ich wahnsinnig | Viktor Ullman, Michael Kraus, Franz Mazura, Gewandhausorchester, Lothar Zagrosek | F Minor | 2 | 4A | 108 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
Violin Concerto: I. Allegro vivo | Steve Elcock, Zoë Beyers, Kenneth Woods, English Symphony Orchestra | C Major | 2 | 8B | 113 BPM | ||
Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) | Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 102 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
Pocket Poetry No. 2 "Hijo": III. Dolor y Recuerdos | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | A♭ Minor | 1 | 1A | 144 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: I. Introduction | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM |
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