"Salve Regina, antienne à la Sainte Vierge, C. 114: I. Salve Regina" by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Alain Buet, Fabien Armengaud was released on October 21, 2016. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 30 in Clérambault : Motets à trois voix d’hommes et symphonies by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Fabien Armengaud. In terms of popularity, Salve Regina, antienne à la Sainte Vierge, C. 114: I. Salve Regina is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Salve Regina, antienne à la Sainte Vierge, C. 114: I. Salve Regina by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Alain Buet, Fabien Armengaud is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tempest: Gavot | Matthew Locke, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 2 | 11A | 169 BPM | ||
Missa Sancti Pauli: No. 18, Crucifixus | Francesco Bartolomeo Conti, Adriána Kalafszky, Peter Bárány, Zoltán Megyesi, Thomas Dolie, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 1 | 10B | 94 BPM | ||
Sonata No.6 in D Major, Op. 50: I. Largo | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Sonata in G Major for Two Flutes and Basso Continuo, RV 80: II. Larghetto | Antonio Vivaldi, ConSerto Musico, Mario Folena, Roberto Loreggian, Stefania Marusi | E♭ Minor | 0 | 2A | 114 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Concerto grosso in B-Flat Major, Op. 1 No.3: I. Largo | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 1 | 11B | 120 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: III. Allegretto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Ino, TWV 20:41: Ino, TWV 20:41: No. 3b, Recitativo "Wo bin ich? O Himmel!" | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Christina Landshamer, Bernhard Forck | B Major | 1 | 1B | 109 BPM |
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