Robert de Visée, Yasunori Imamura's 'Suite in A Major: VI. Menuet' came out on January 1, 1993. With Suite in A Major: VI. Menuet being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Visee, R. De: Suites by Robert de Visée, Yasunori Imamura. The song's track number on the album is #19 out of 30 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Suite in A Major: VI. Menuet's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Suite in A Major: VI. Menuet by Robert de Visée, Yasunori Imamura has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite in A Major: VI. Menuet being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor: III. Sarabanda | Esaias Reusner, Lutz Kirchhof | D♭ Minor | 0 | 12A | 83 BPM | ||
The Flat Pavan | John Johnson, Ronn McFarlane, William Simms | C Major | 2 | 8B | 94 BPM | ||
Concert XXV | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | C Minor | 0 | 5A | 112 BPM | ||
Airs à deux parties: Sarabande. "Le digne objet pour qui mon coeur soupire" | Joseph Chabanceau de La Barre, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Je suis trop jeunette, pour instruments | Raulin De Vaux, Doulce Mémoire | E♭ Minor | 0 | 2A | 90 BPM | ||
Das Erst Buch. Ein Newes Lautenbüchlein, 1544: Preambel | Hans Neusidler, Joachim Held | D Major | 1 | 10B | 185 BPM | ||
Gagliarda Ecco | Vincenzo Galilei, Massimo Lonardi | F Major | 2 | 7B | 107 BPM | ||
Pièces pour théorbe, Suite in C Minor: V. Gigue | Robert de Visée, Xavier Diaz-Latorre | C Major | 1 | 8B | 172 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
Suite in D major: Courante | Angelo Michele Bartolotti, Fredrik Bock | D♭ Major | 1 | 3B | 68 BPM |
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