"18 Pieces, Op. 72: II. Berceuse (Andante mosso)" by Axel Gillison was released on April 4, 2020. Since 18 Pieces, Op. 72: II. Berceuse (Andante mosso) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Gentle Classical Piano" album is number 30 out of 50. 18 Pieces, Op. 72: II. Berceuse (Andante mosso) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 18 Pieces, Op. 72: II. Berceuse (Andante mosso) by Axel Gillison to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Pièces lyriques, Op. 54: IV. Notturno | Edvard Grieg, Mara Dobresco | C Major | 0 | 8B | 69 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Variations on an Original Theme, Op. 21: I. Theme (Poco larghetto) | Johannes Brahms, Axel Gillison | D♭ Minor | 0 | 12A | 78 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
La plus que lente, L. 121 | Claude Debussy, Axel Gillison | G Major | 0 | 9B | 96 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM | ||
Etudes-tableaux, Op. 33: No. 8 in G Minor: Moderato | Sergei Rachmaninoff, Idil Biret | B♭ Minor | 3 | 3A | 119 BPM | ||
5 Morceaux de fantaisie, Op. 3: III. No. 3, Mélodie | Sergei Rachmaninoff, Kotaro Fukuma | B Major | 0 | 1B | 67 BPM |
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