- BPM
- 78
- Key
- D Major
- Camelot
- 10B
Piano Concerto No. 1 in D Minor, Op. 15: 2. Adagio - Johannes Brahms, András Schiff, Orchestra of the Age of Enlightenment Information
- Acousticness
- 97%
- Danceability
- 27%
- Energy
- 15%
- Instrumentalness
- 85%
- Liveness
- 12%
- Loudness
- 66%
- Speechiness
- 3%
- Valence
- 13%
- Popularity
- 16%
- Loudness
- -20.57 dB
Summary
"Piano Concerto No. 1 in D Minor, Op. 15: 2. Adagio" by Johannes Brahms, András Schiff, Orchestra of the Age of Enlightenment had its release date on June 4, 2021. This song appears to be safe for all ages as it is not explicit. The song is number 2 out of 7 in Brahms: Piano Concertos by Johannes Brahms, András Schiff, Orchestra of the Age of Enlightenment. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Piano Concerto No. 1 in D Minor, Op. 15: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Piano Concerto No. 1 in D Minor, Op. 15: 2. Adagio BPM
The tempo marking of Piano Concerto No. 1 in D Minor, Op. 15: 2. Adagio by Johannes Brahms, András Schiff, Orchestra of the Age of Enlightenment is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Piano Concerto No. 1 in D Minor, Op. 15: 2. Adagio Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | |
 | Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | |
 | 4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | |
 | Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | |
 | Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "On a G String" (Arr. for Piano) | Johann Sebastian Bach, Lang Lang | D Major | 0 | 10B | 115 BPM | |
 | Scriabin: 24 Preludes, Op. 11: No. 21 in B Flat Major | Alexander Scriabin, Mikhail Pletnev | E♭ Major | 0 | 5B | 70 BPM | |
 | Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | |
 | Le tombeau de Couperin (version for orchestra): No. 3. Menuet | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 86 BPM |
- ISRC
- DEB331969002
- Label
- L-M Records/RCA Records