"Symphony No. 7: Bar 255" by Allan Pettersson, Norrköping Symphony Orchestra, Christian Lindberg was released on April 6, 2018. The duration of Symphony No. 7: Bar 255 is about 3 minutes long, at 3:01. Based on our data, "Symphony No. 7: Bar 255" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Pettersson: Symphonies Nos. 5 & 7". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Sweden. Symphony No. 7: Bar 255 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 7: Bar 255 by Allan Pettersson, Norrköping Symphony Orchestra, Christian Lindberg having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Symphony No. 7 in C-Sharp Minor, Op. 131: I. Moderato | Sergei Prokofiev, Mstislav Rostropovich, Orchestre National De France | A♭ Minor | 2 | 1A | 70 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 1 | 11B | 119 BPM | ||
Jesus of Nazareth - Epic Orchestral Version | Stavros Kleisiaris | E Minor | 1 | 9A | 140 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97, “Rhenish”: III. Nicht schnell | Robert Schumann, Philzuid, Duncan Ward | A♭ Major | 0 | 4B | 91 BPM | ||
4 Improvisations for String Trio: No. 4, Quarter Note = 100 | Allan Pettersson, Ulf Wallin, German Tcakulov, Alexander Wollheim | A♭ Major | 2 | 4B | 89 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM | ||
A Symphonic Mass: I. Kyrie | George Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus | G Major | 3 | 9B | 131 BPM | ||
HFDBMC | KNOXVILLETRACKZ | C Major | 0 | 8B | 87 BPM |
Section: 0.6904776096343994
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