Billy Cotton's Midnight Minstrels made "There's a New Day Coming" available on March 16, 2010. The duration of There's a New Day Coming is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. There's a New Day Coming's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "The Big Broadcast, Volume 5: Jazz and Popular Music of the 1920s and 1930s". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. Based on our statistics, There's a New Day Coming's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With There's a New Day Coming by Billy Cotton's Midnight Minstrels having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
My Josephine | Papa Celestin's Original Tuxedo Jazz Orchestra | D Major | 2 | 10B | 113 BPM | ||
How Could My Good Man Turn His Back On Me Now | Billy & Mary Mack | A♭ Major | 1 | 4B | 82 BPM | ||
Mess-a-Stomp | Andy Kirk and His Twelve Clouds Of Joy | F♯ Major | 7 | 2B | 189 BPM | ||
Gully Low Blues | Louis Armstrong & His Hot Seven | E♭ Major | 1 | 5B | 109 BPM | ||
Pompton Turnpike | Charlie Barnet & His Orchestra | F Minor | 2 | 4A | 86 BPM | ||
Should I | Harry Bidgood's Broadcasters | D Minor | 3 | 7A | 209 BPM | ||
Oh Gee, Georgie | Margaret Young | F Major | 3 | 7B | 178 BPM | ||
If You Knew Susie | Billy Murray, Jack Shilkret Orchestra | C Minor | 1 | 5A | 180 BPM | ||
Perdido Street Blues | The New Orleans Wanderers | F Major | 2 | 7B | 132 BPM | ||
Heah Me Talkin' To Ya? | Louis Armstrong & His Savoy Ballroom Five | B♭ Major | 4 | 6B | 200 BPM |
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