"Variations on a theme of Paganini: Var. 5. Alla barcarola" by Marc-André Hamelin was released on February 2, 2024. With Variations on a theme of Paganini: Var. 5. Alla barcarola being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marc-André Hamelin's "Hamelin: New Piano Works" album is number 3 out of 37. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Variations on a theme of Paganini: Var. 5. Alla barcarola's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations on a theme of Paganini: Var. 5. Alla barcarola by Marc-André Hamelin to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 37a: IV. April. Perce-neige. Allegretto con moto e un poco rubato | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | F Major | 1 | 7B | 118 BPM | ||
Studies on Chopin's Etudes: No. 22 in C-Sharp Minor for Left Hand on Etude, Op. 10 No. 12 | Leopold Godowsky, Marc-André Hamelin | E Major | 1 | 12B | 67 BPM | ||
Absent Land - Concert Performance | Ümit Armağan | F♯ Minor | 1 | 11A | 70 BPM | ||
The Brooklyn Dodge | William Bolcom, Marc-André Hamelin | D Minor | 2 | 7A | 72 BPM | ||
For Bunita Marcus (1985): page 32 | Morton Feldman, Marc-André Hamelin | C Major | 0 | 8B | 68 BPM | ||
Suite à l'ancienne: III. Corrente | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
The Garden of Eden: III. The Serpent's Kiss | William Bolcom, Marc-André Hamelin | D Minor | 2 | 7A | 72 BPM | ||
Iberia, T. 105 / Book 3: No. 9, Lavapiés | Isaac Albéniz, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
In Dahomey "Cakewalk Smasher" | Percy Grainger, Marc-André Hamelin | A♭ Major | 1 | 4B | 104 BPM | ||
Someone to Watch Over Me (Arr. Firth for Piano) - From "Oh Kay!" | George Gershwin, Jean-Yves Thibaudet | C Major | 2 | 8B | 77 BPM |
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