- BPM
- 99
- Key
- D Minor
- Camelot
- 7A
Suite for Violoncello Solo No. 2 in D Minor, BWV 1008: IV. Sarabande - Johann Sebastian Bach, Klaus-Peter Hahn Information
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 4%
- Instrumentalness
- 88%
- Liveness
- 12%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 5%
- Loudness
- -23.485 dB
Summary
"Suite for Violoncello Solo No. 2 in D Minor, BWV 1008: IV. Sarabande" by Johann Sebastian Bach, Klaus-Peter Hahn was released on January 1, 1994. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 18 in Bach: Suites for Violoncello Nos. 1-3, BWV 1007-1009 by Johann Sebastian Bach, Klaus-Peter Hahn. In terms of popularity, Suite for Violoncello Solo No. 2 in D Minor, BWV 1008: IV. Sarabande is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Suite for Violoncello Solo No. 2 in D Minor, BWV 1008: IV. Sarabande BPM
The tempo marking of Suite for Violoncello Solo No. 2 in D Minor, BWV 1008: IV. Sarabande by Johann Sebastian Bach, Klaus-Peter Hahn is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Suite for Violoncello Solo No. 2 in D Minor, BWV 1008: IV. Sarabande Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cello Suite No. 6 in D Major, BWV 1012: III. Courante | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 118 BPM | |
 | Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | |
 | Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | A♭ Major | 0 | 4B | 59 BPM | |
 | Bach, JS: Piano Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, Andrei Gavrilov, John Constable, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 97 BPM | |
 | Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | |
 | Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | |
 | Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | |
 | Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | |
| Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | |
 | Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: II. Allegro con freschezza, e deciso | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | D Major | 2 | 10B | 105 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6114234924316406
End: 0.6182248592376709