Julián Aguirre, María Luisa Anido's '5 Tristes: No. 4, Cordoba (Version for Guitar)' came out on August 18, 2017. The duration of 5 Tristes: No. 4, Cordoba (Version for Guitar) is about 3 minutes long, at 3:01. Based on our data, "5 Tristes: No. 4, Cordoba (Version for Guitar)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 81 in the song's album "Segovia & Contemporaries, Vol. 11: Rio de la Plata Guitarists". In this album, this song's track order is #2. 5 Tristes: No. 4, Cordoba (Version for Guitar) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 5 Tristes: No. 4, Cordoba (Version for Guitar) by Julián Aguirre, María Luisa Anido having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Villancico | Manuel Barrueco, Konrad Ragossnig, Walter Feybi | G Minor | 0 | 6A | 81 BPM | ||
João de Barro | Javier Van Velthoven | A Minor | 4 | 8A | 77 BPM | ||
Whirler of the Dance: Dance | Bret Williams | A Minor | 2 | 8A | 99 BPM | ||
Tres Preludios Para Guitarra: Preludio N°1 | Darwin Vargas Wallis, Luis Orlandini | G Major | 1 | 9B | 94 BPM | ||
Barrios Mangoré: Choro de saudade | Agustín Barrios Mangoré, Thibaut García | G Minor | 1 | 6A | 107 BPM | ||
The Gnomes, Op. 77 | Ernest Shand, Alexandra Whittingham | E Minor | 4 | 9A | 130 BPM | ||
Aires Nacionales Argentinos, Op. 17: Triste N°2 | Julián Aguirre, Fernanda Morello | D♭ Major | 0 | 3B | 126 BPM | ||
Suite en La Menor: I. Preludio | Manuel Ponce, Raúl Zambrano | F Major | 1 | 7B | 92 BPM | ||
Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession (Arr. For Mandolin by Alon Sariel) | Eugène Ysaÿe, Alon Sariel | G Minor | 5 | 6A | 99 BPM | ||
Sons De Carrilhões | João Kouyoumdjian | D Major | 1 | 10B | 130 BPM |
Section: 0.6410317420959473
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