"La Bohème / Act 1: "Sì. Mi chiamano Mimì"" by Giacomo Puccini, Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli was released on January 1, 1993. With this song being about 5 minutes long, at 5:17, "La Bohème / Act 1: "Sì. Mi chiamano Mimì"" by Giacomo Puccini, Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Giacomo Puccini, Thomas Hampson, Leonard Bernstein, Giuseppe Sinopoli, Herbert von Karajan, Roberto Abbado, Orchestra dell'Accademia Nazionale di Santa Cecilia, Wiener Philharmoniker, Philharmonia Orchestra, Orchestra Del Gran Teatro La Fenice, Jerry Hadley's "Mad About Puccini" album is number 5 out of 15. La Bohème / Act 1: "Sì. Mi chiamano Mimì" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bohème / Act 1: "Sì. Mi chiamano Mimì" by Giacomo Puccini, Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: Una voce poco fa | Gioachino Rossini, Kathleen Battle, Chamber Orchestra of Europe, Claudio Abbado | E Major | 0 | 12B | 113 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | E Major | 2 | 12B | 99 BPM | ||
Ebben? Ne andro lontano | Alfredo Catalani, Eva Marton, Pinchas Steinberg | E Minor | 1 | 9A | 86 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
Il barbiere di Siviglia, Act I, No. 5: Una voce poco fa | Gioachino Rossini, Pretty Yende, Marco Armiliato | E Major | 1 | 12B | 104 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Gran ventura (Butterfly/Coro/Pinkerton/Sharpless/Goro) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | F♯ Major | 1 | 2B | 172 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
Turandot / Act 3: "Diecimile anni al nostro Imperatore...Padre augusto" | Giacomo Puccini, Dame Joan Sutherland, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
Madame Butterfly - Grosser Querschnitt: Eines Tages seh'n wir uns wieder | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | B Minor | 7 | 10A | 112 BPM |
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