Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers made "Credo, R.592: 4. Allegro: Et resurrexit" available on January 1, 1998. With Credo, R.592: 4. Allegro: Et resurrexit being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Sacred Music by Antonio Vivaldi, Various Artists, Vittorio Negri, English Chamber Orchestra. The song's track number on the album is #25 out of 271 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Credo, R.592: 4. Allegro: Et resurrexit is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Credo, R.592: 4. Allegro: Et resurrexit by Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Credo, R.592: 4. Allegro: Et resurrexit being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Waltz No. 19 in A minor, Op. posth. | Frédéric Chopin, Peter Jablonski | A Minor | 0 | 8A | 69 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Concerto for 2 Mandolins, Strings and Continuo in G Major, RV. 532: II. Andante | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Minor | 0 | 12A | 104 BPM | ||
Concerto In A Minor For 2 Violins, Strings, And Continuo, RV 523: 3. Allegro | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | A Minor | 3 | 8A | 133 BPM | ||
12 Concertos, Op.3 - "L'estro armonico" - Concerto No. 6 in A minor for solo violin, RV356: Allegro | Antonio Vivaldi, Alan Loveday, Christopher Hogwood, Colin Tilney, Robert Spencer, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 3 | 8A | 114 BPM | ||
Winter (L'Inverno) Op.8 No.4 F Minor: Largo | Baroque Festival Orchestra, Alberto Lizzio | B♭ Major | 0 | 6B | 87 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: II. Largo | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM |
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