"Die Walkure: Act II Scene 3: Hinweg! Hinweg! Flieh die Entweihte! (Sieglinde)" by Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler was released on July 3, 2012. The duration of Die Walkure: Act II Scene 3: Hinweg! Hinweg! Flieh die Entweihte! (Sieglinde) is about 3 minutes long, at 3:20. Based on our data, "Die Walkure: Act II Scene 3: Hinweg! Hinweg! Flieh die Entweihte! (Sieglinde)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wilhelm Furtwangler Conducts Richard Wagner's Der Ring des Nibelungen (Milan 1950) by Richard Wagner, Wilhelm Furtwängler. The song's track number on the album is #13 out of 259 tracks. Die Walkure: Act II Scene 3: Hinweg! Hinweg! Flieh die Entweihte! (Sieglinde) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walkure: Act II Scene 3: Hinweg! Hinweg! Flieh die Entweihte! (Sieglinde) by Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Die Walkure: Act II Scene 3: Hinweg! Hinweg! Flieh die Entweihte! (Sieglinde) being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Egmont Overture, Op. 84 | Ludwig van Beethoven, London Symphony Orchestra, Yondani Butt | A♭ Major | 1 | 4B | 78 BPM | ||
Siegfried - Concert Version: Forest Murmurs | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 0 | 11B | 83 BPM | ||
Overture Prince Igor | Alexander Borodin, London Symphony Orchestra, Sir Georg Solti | B♭ Major | 2 | 6B | 76 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
Also Sprach Zarathustra Op.30: Das Tanzlied (The Dance-Song) | Richard Strauss, London Philharmonic Orchestra, Klaus Tennstedt | C Major | 1 | 8B | 79 BPM |
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