Diomedes Cato, Sabionetta's 'Choreae polonicae No. 3' came out on August 5, 2014. With Choreae polonicae No. 3 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 18 in the song's album "Podobieństwo żywota krześcijańskiego (The Polish 16th Century Music)". In this album, this song's track order is #17. The popularity of Choreae polonicae No. 3 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Choreae polonicae No. 3 by Diomedes Cato, Sabionetta having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cromatica corrente | Bellerofonte Castaldi, Bor Zuljan | A Minor | 2 | 8A | 137 BPM | ||
Prelude in C Minor, BWV 999 | Johann Sebastian Bach, Ronn McFarlane | F♯ Minor | 2 | 11A | 108 BPM | ||
Fantasia V [MS. 372-376, Bodleian Library, Oxford] (arr. P. Wawreniuk and R. Krajewski) | Diomedes Cato, Poitr Wawreniuk, Robert Krajewski, Trombastic | D Minor | 0 | 7A | 106 BPM | ||
Ricercar 84 | Francesco da Milano, Shirley Rumsey | G Minor | 0 | 6A | 139 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Polonaise in G Minor, BWV Anh. 119 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Corrente dicha la Cuella | Andrea Falconieri, La Ritirata, Josetxu Obregon | A Minor | 2 | 8A | 105 BPM | ||
Tiento Para Harpa Ó Organo | Antonio de Cabezón, Veronique Musson-Gonneaud | F Major | 0 | 7B | 142 BPM | ||
Cancion del primer tono (after a Canzon by Nicolaus Gombert) | Luis de Narváez, Lutz Kirchhof | D Minor | 0 | 7A | 91 BPM |
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