"Kreisleriana, Op. 16: I. Äußerst bewegt" by Robert Schumann, Benjamin Grosvenor was released on January 27, 2023. The duration of Kreisleriana, Op. 16: I. Äußerst bewegt is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Kreisleriana, Op. 16: I. Äußerst bewegt's duration is considered a little bit shorter than the average duration of a typical track. Since Schumann: Kreisleriana, Op. 16: I. Äußerst bewegt only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Kreisleriana, Op. 16: I. Äußerst bewegt is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kreisleriana, Op. 16: I. Äußerst bewegt by Robert Schumann, Benjamin Grosvenor having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations in B-Flat Minor, Op. 3: No. 2, Var. I. Listesso tempo | Karol Szymanowski, Frédéric Vaysse-Knitter | D♭ Major | 2 | 3B | 134 BPM | ||
3 Romances, Op. 11: No. 2, Andante - Allegro passionato | Clara Schumann, Isata Kanneh-Mason | G Minor | 0 | 6A | 64 BPM | ||
Presto passionato | Robert Schumann, Bernd Glemser | E Major | 0 | 12B | 68 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Préludes / Book 1, L. 117: 11. La danse de Puck | Claude Debussy, Daniel Barenboim | E♭ Minor | 0 | 2A | 70 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Partita pour Piano: II. Notturno. Andantino | Germaine Tailleferre, Cristina Ariagno | A Minor | 0 | 8A | 71 BPM | ||
Capriccio in B Minor, Op. 76, No. 2 | Johannes Brahms, Arcadi Volodos | B Major | 1 | 1B | 84 BPM | ||
Prélude, Op. 10 No. 1 | Anatoly Lyadov, Yoko Kikuchi | D♭ Major | 1 | 3B | 77 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM |
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