Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer's 'Symphony No. 28 in A Major, Hob. I:28: I. Allegro di molto' came out on November 1, 2014. Symphony No. 28 in A Major, Hob. I:28: I. Allegro di molto is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer's "Haydn Edition, Vol. 1" album is number 96 out of 173. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Symphony No. 28 in A Major, Hob. I:28: I. Allegro di molto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 28 in A Major, Hob. I:28: I. Allegro di molto by Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, Op. 2 No. 3 "The Chaplet": I. Allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 3 | 8B | 121 BPM | ||
Concerto for Strings in F Major, RV 138: III. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
String Quartet In B Flat Major D. 112 - Ii. Andante Sostenuto | Amadeus Quartet | G Minor | 1 | 6A | 115 BPM | ||
Symphony in D Major, Op. 3, No. 2: IV. Prestissimo | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 1 | 10B | 89 BPM | ||
Symphony K Anh. 214 (45B) B Flat Major: IV. Allegro (Mozart) | Claudio Scimone & I Solisti Veneti | B♭ Major | 1 | 6B | 84 BPM | ||
Achmet und Zenide, Act III: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 141 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: II. Andante con moto | Franz Schubert, Hanover Band, Roy Goodman | E♭ Major | 1 | 5B | 119 BPM | ||
Symphony in E-Flat Major: II. Allegretto | Ernst Wilhelm Wolf, Franz Liszt Chamber Orchestra, Weimar, Nicolás Pasquet | B♭ Major | 0 | 6B | 93 BPM | ||
Sonatina in G Major, Op. 36 No. 2: II. Allegretto | Muzio Clementi, Howard Shelley | E Minor | 1 | 9A | 104 BPM | ||
Symphony in F Major, F. 28: III. Presto | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 87 BPM |
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