Michel Béroff's 'Prelude Suite Bergamasque' came out on March 3, 2003. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 62 in the song's album "Piano Works". In this album, this song's track order is #11. In terms of popularity, Prelude Suite Bergamasque is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prelude Suite Bergamasque by Michel Béroff having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Prélude, Op. 10 No. 1 | Anatoly Lyadov, Yoko Kikuchi | D♭ Major | 1 | 3B | 77 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Symphony No. 5: IV. Adagietto. Sehr langsam (Arr. Hewitt) | Gustav Mahler, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Bach, JS: Concerto for Two Pianos in C Major, BWV 1061: II. Adagio ovvero largo | Johann Sebastian Bach, Michel Béroff, Jean-Pierre Wallez, Orchestre de chambre de Paris | A Minor | 2 | 8A | 114 BPM | ||
Four Fairy Tales (Skazki), Op.26: No.3 In F Minor | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
Prokofiev: Visions fugitives, Op. 22: No. 14, Feroce | Sergei Prokofiev, Michel Béroff | A Minor | 0 | 8A | 71 BPM | ||
Turangalîla-Symphonie: X. Final | Olivier Messiaen, Michel Béroff, André Previn, London Symphony Orchestra | B Major | 3 | 1B | 93 BPM | ||
Bartók: 6 Romanian Folk Dances, Sz. 56: No. 3, Pê-loc | Béla Bartók, Michel Béroff | B Minor | 0 | 10A | 172 BPM |
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