"Delibes: Coppélia, Act 3: No. 20c, Fête de la cloche. La prière" by Léo Delibes, Kent Nagano, Orchestre de l'Opéra de Lyon was released on 1992. The duration of Delibes: Coppélia, Act 3: No. 20c, Fête de la cloche. La prière is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Delibes: Coppélia, Act 3: No. 20c, Fête de la cloche. La prière's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 26 in Delibes : Coppélia [Highlights] (Apex) by Léo Delibes, Kent Nagano, Orchestre de l'Opéra de Lyon. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Delibes: Coppélia, Act 3: No. 20c, Fête de la cloche. La prière is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Delibes: Coppélia, Act 3: No. 20c, Fête de la cloche. La prière by Léo Delibes, Kent Nagano, Orchestre de l'Opéra de Lyon is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter and the Wolf, Op. 67 (narrated in Spanish): El lobo | Sergei Prokofiev, Antonio Banderas, Russian National Orchestra, Kent Nagano | D Minor | 0 | 7A | 84 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb/1: III. Allegro Molto | Joseph Haydn, Lev Markiz, Moscow Chamber Orchestra, Natalia Gutman | E♭ Major | 0 | 5B | 103 BPM | ||
Sinfonia No. 4 in C Minor, MWV N4: II. Andante | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | E Minor | 1 | 9A | 129 BPM | ||
Ancient Airs And Dances, Suite No. 3, P. 172: 1. Italiana | Ottorino Respighi, I Musici | C Minor | 1 | 5A | 95 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Masquerade - Ballet Suite: 2. Nocturne | Aram Khachaturian, John Georgiadis, London Symphony Orchestra, Stanley Black | A Major | 0 | 11B | 111 BPM | ||
A Village Romeo and Juliet, Music Drama in six scenes - Arr. Beecham: The Walk To The Paradise Garden | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 83 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Six Songs, Op. 34: II. Auf den Flügeln des Gesanges, MWV K86 | Felix Mendelssohn, Daniel Hope, Sebastian Knauer | A♭ Major | 0 | 4B | 58 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 141 BPM |
Section: 1.167851448059082
End: 1.174299716949463