"Blue, Act II Scene 2: Oh God! Bring My Baby Back" by Jeanine Tesori, Briana Hunter, Roderick Cox, Washington National Opera Orchestra was released on March 25, 2022. The duration of Blue, Act II Scene 2: Oh God! Bring My Baby Back is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Blue, Act II Scene 2: Oh God! Bring My Baby Back's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jeanine Tesori, Washington National Opera Orchestra, Roderick Cox, Kenneth Kellogg, Briana Hunter, Aaron Crouch, Gordon Hawkins's "Jeanine Tesori: Blue" album is number 16 out of 72. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Blue, Act II Scene 2: Oh God! Bring My Baby Back is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blue, Act II Scene 2: Oh God! Bring My Baby Back by Jeanine Tesori, Briana Hunter, Roderick Cox, Washington National Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
No More | Jerry Dixon, Raúl Esparza | D Major | 7 | 10B | 191 BPM | ||
Viola's Theme | Lincoln Center Theater, Jeanine Tesori | D Minor | 2 | 7A | 167 BPM | ||
Don't Wanna Be Here | Kate Wetherhead | C Major | 3 | 8B | 136 BPM | ||
Fly into the Future | Lauren Kennedy | D♭ Major | 3 | 3B | 128 BPM | ||
Telephone Wire | Beth Malone, Michael Cerveris | G Major | 2 | 9B | 103 BPM | ||
In The Bar / Heave Away | 'Come From Away' Company | D Major | 9 | 10B | 137 BPM | ||
Maps | Beth Malone | G Major | 2 | 9B | 125 BPM | ||
Killer Instinct | Bring It On: The Musical - Original Broadway Cast | A Major | 5 | 11B | 94 BPM | ||
Days and Days | Judy Kuhn | D♭ Major | 2 | 3B | 133 BPM | ||
That Face | James Moye, Nick Blaemire, Adam Halpin, Josh Segarra | A Major | 5 | 11B | 123 BPM |
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