On 2002, the song "I Left My Heart At the Stage Door Canteen (feat. Corporal Earl Oxford)" was released by Original "This is the Army" All-Soldier Chorus, Original "This is the Army" All-Soldier Orchestra, Corporal Earl Oxford. The duration of I Left My Heart At the Stage Door Canteen (feat. Corporal Earl Oxford) is about 3 minutes long, at 3:14. Based on our data, "I Left My Heart At the Stage Door Canteen (feat. Corporal Earl Oxford)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "This is the Army / Call Me Mister". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. I Left My Heart At the Stage Door Canteen (feat. Corporal Earl Oxford) is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With I Left My Heart At the Stage Door Canteen (feat. Corporal Earl Oxford) by Original "This is the Army" All-Soldier Chorus, Original "This is the Army" All-Soldier Orchestra, Corporal Earl Oxford having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mary's A Grand Old Name | James Cagney & Sally Sweetland | E♭ Major | 1 | 5B | 76 BPM | ||
On the Line | The Pied Pipers, Bill Abernathy, Tommy Dorsey Orchestra | G Minor | 3 | 6A | 151 BPM | ||
El Matador | Austin Egen, Bert Reisfeld | E♭ Major | 4 | 5B | 138 BPM | ||
Shells Will Come Round The Mountain | Edwin Sarabia | C Major | 3 | 8B | 124 BPM | ||
The Spitfire Song | Joe Loss & His Orchestra | D♭ Major | 3 | 3B | 134 BPM | ||
Au Revoir But Not Good-bye | The Peerless Quartet | C Major | 1 | 8B | 118 BPM | ||
Debutante Waltz | Gerhard Groitzsch | C Major | 3 | 8B | 85 BPM | ||
My Heart Is Wasting Time | Mary Brooks | B♭ Major | 2 | 6B | 75 BPM | ||
Lazy Moon | Laurel and Hardy | C Minor | 2 | 5A | 75 BPM | ||
Penthouse Serenade (When We're Alone) | Shirley Ross, Bob Hope | G Major | 2 | 9B | 169 BPM |
Section: 0.5414366722106934
End: 0.545496940612793