Sílvia Bel made "Recitat I (1): "Només aparèixer, la Follia esvaeix les preocupacions del seu auditori"" available on 2012. With Recitat I (1): "Només aparèixer, la Follia esvaeix les preocupacions del seu auditori" being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 91 in Erasmus - Elogi de la Follia (Versió en Català) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. Recitat I (1): "Només aparèixer, la Follia esvaeix les preocupacions del seu auditori" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Recitat I (1): "Només aparèixer, la Follia esvaeix les preocupacions del seu auditori" by Sílvia Bel is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wolauff, Gesell! | Oswald von Wolkenstein, La Reverdie | C Major | 2 | 8B | 114 BPM | ||
Spiritus sanctus | Graduel De Bakócz, Choeur des Moniales de Pecs | D♭ Major | 0 | 3B | 129 BPM | ||
Recitat XX (13): "No hi ha cap matrimoni durador sense la complicitat de la Follia" / Música (Continuació): Belle qui tiens ma vie (Improvisació Arpa) | Sílvia Bel, Andrew Lawrence-King | D Minor | 1 | 7A | 170 BPM | ||
Recitat XVI (11): "Sobre la preeminència de la Follia al món" / Música: Harke, harke | Sílvia Bel, Jordi Savall | G Major | 2 | 9B | 68 BPM | ||
Pues Que Tú, Reina del Çielo | Juan del Encina, The Rose Ensemble, Tim O'Brien, Kristine Kautzman, Lisa Drew, Eric Betthauser, Jordan Sramek | E Minor | 1 | 9A | 172 BPM | ||
Rondeau-refrain | Matteo da Perugia, Ferrara Ensemble, Crawford Young | G Minor | 0 | 6A | 81 BPM | ||
Tres diferencias de Guárdame las vacas por otra parte, Book VI | Luis de Narváez, Xavier Diaz-Latorre | C Minor | 1 | 5A | 73 BPM | ||
Quoniam Tu Illminans | The Schola Cantorum of St. Peter's in the Loop | C Major | 0 | 8B | 80 BPM | ||
Dos estrellas le siguen | Manuel Machado, Gérard Lesne | G Minor | 2 | 6A | 115 BPM | ||
Salmo 2. Antífona 3ª. Salmo para el Tiempo de Pasión | Coro Ametsa de Irún, Fernando Echepare | C Minor | 1 | 5A | 91 BPM |
Section: 0.6196503639221191
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