Jean-Baptiste Lully, Jordi Savall, Andrew Lawrence-King's 'Le Divertissement Royal de Versailles, LWV 38: Rondeau du Mariage Forcé (1664)' came out on January 1, 1999. The duration of Le Divertissement Royal de Versailles, LWV 38: Rondeau du Mariage Forcé (1664) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Le Divertissement Royal de Versailles, LWV 38: Rondeau du Mariage Forcé (1664)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Jordi Savall's "Jean-Baptiste Lully: L'orchestre du Roi Soleil" album is number 13 out of 31. In terms of popularity, Le Divertissement Royal de Versailles, LWV 38: Rondeau du Mariage Forcé (1664) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Divertissement Royal de Versailles, LWV 38: Rondeau du Mariage Forcé (1664) by Jean-Baptiste Lully, Jordi Savall, Andrew Lawrence-King to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de viole du Troisième Livre, suite VII en sol majeur: Menuet [103] (1711) | Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman | F♯ Major | 1 | 2B | 89 BPM | ||
Concerto I, en Fa Majeur, BWV 1046 - I. [Allegro] | Johann Sebastian Bach, Jordi Savall | E Major | 3 | 12B | 88 BPM | ||
Soleta So Jo Ací | Bartomeu Carceres, Jordi Savall, Montserrat Figueras, La Capella Reial De Catalunya, Hespèrion XX | D♭ Minor | 1 | 12A | 123 BPM | ||
Saltarello | Traditional, Jordi Savall, Pedro Estevan | B♭ Major | 3 | 6B | 86 BPM | ||
Le Bourgeois Gentilhomme (1670): Giourdina | Jean-Baptiste Lully, Conor Biggs, Musica Antiqua Köln, Reinhard Goebel, Ex Tempore | F♯ Minor | 5 | 11A | 91 BPM | ||
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 76 BPM | ||
Makam « Muhayyer pesrev » – Marche Guerrière Ottomane: I. Taksim | Traditionnel, Hespèrion XXI, Jordi Savall | F Major | 0 | 7B | 122 BPM | ||
La Terpsichore: VI. Deuxième Rondeau | Jean-Féry Rebel, Jordi Savall | B Major | 1 | 1B | 117 BPM | ||
Lachrimae Coactae | Hespèrion XXI, Jordi Savall | A Minor | 1 | 8A | 80 BPM | ||
Maurerische Trauermusik, K 477 | Wolfgang Amadeus Mozart, Jordi Savall | C Major | 0 | 8B | 131 BPM |
Section: 0.6736350059509277
End: 0.6776096820831299