Anthony Newman's 'Preludium i Fuga D major, BWV 532' came out on January 1, 2001. Since Preludium i Fuga D major, BWV 532 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Utwory Organowe J.S. Bacha (2)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Poland. Preludium i Fuga D major, BWV 532 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Preludium i Fuga D major, BWV 532 by Anthony Newman having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klavierkonzert Nr. 2 c-Moll Op. 18: 3. Allegro scherzando (Auszug) (Das verflixte siebte Jahr): I. Moderato | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Major | 1 | 6B | 101 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Rondeau from Abdelazer, or the Moor's Revenge | Henry Purcell, Anthony Newman | G Minor | 0 | 6A | 87 BPM | ||
Handel: Arrival of the Queen of Sheba | George Frideric Handel, Emerald Ensemble, Paul Arden-Taylor, Imogen Triner, Roger Huckle | C Major | 2 | 8B | 140 BPM | ||
ボレロより - フィギュアスケート Ver. | Maurice Ravel, Eliahu Inbal, French National Radio Orchestra | A Major | 6 | 11B | 118 BPM | ||
Rondeau from "Abdelazer" | Henry Purcell, Gabriel V Brass Quintet, David Chalmers | D Minor | 1 | 7A | 90 BPM | ||
Suite for Strings after 12 Violin Sonatas, Op. 5: III. Badinerie. Vivace | Arcangelo Corelli, Eugene Ormandy, Philadelphia Orchestra | D♭ Minor | 2 | 12A | 145 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
愛の挨拶 | Edward Elgar, Mariko Senju | A Major | 1 | 11B | 80 BPM | ||
Suite in E Major, HWV 430: I. Prelude | George Frideric Handel, Anthony Newman | B Major | 4 | 1B | 90 BPM |
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