Kaze made "22才の別れ" available on July 4, 2007. The duration of 22才の別れ is about 3 minutes long, at 3:12. Based on our data, "22才の別れ" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Kaze's "KAZE SINGLE COLLECTION" album is number 1 out of 12. On top of that, Japan appears to be the country where this track was created. Based on our statistics, 22才の別れ's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 22才の別れ by Kaze to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
東京ららばい | Rie Nakahara | G Minor | 6 | 6A | 121 BPM | ||
愛を止めないで | Off Course | G Major | 7 | 9B | 117 BPM | ||
望郷じょんから | Takashi Hosokawa | E♭ Minor | 6 | 2A | 150 BPM | ||
マイ・ピュア・レディ | Ami Ozaki | G Major | 3 | 9B | 142 BPM | ||
Anata no Sora o Tobitai | Mariko Takahashi | F Major | 5 | 7B | 91 BPM | ||
Kamome wa Kamome | Naoko Ken | D Major | 3 | 10B | 131 BPM | ||
そして僕は途方に暮れる | Yoshiyuki Ohsawa | C Major | 8 | 8B | 120 BPM | ||
TOKIO (Single Version) | Kenji Sawada | G Major | 8 | 9B | 148 BPM | ||
縁切寺 | Grape | E Minor | 4 | 9A | 173 BPM | ||
もしかして PART II | Sachiko Kobayashi, 美樹克彦 | E♭ Minor | 6 | 2A | 169 BPM |
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