"Come Let Us Worship - Lesser Znamenny Chant, Arr. D Soloviev" by St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan was released on June 6, 2018. With Come Let Us Worship - Lesser Znamenny Chant, Arr. D Soloviev being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 34 in Divine Liturgy: Sunday of the Paralytic by St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, Come Let Us Worship - Lesser Znamenny Chant, Arr. D Soloviev's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Come Let Us Worship - Lesser Znamenny Chant, Arr. D Soloviev by St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Liturgy of St. John Chrysostom: No. 2, Antiphon I (Psalm 102) | Benedict Sheehan, The Saint Tikhon Choir | A♭ Minor | 2 | 1A | 77 BPM | ||
Trisagion | St. Tikhon's Masterclass Choir, Vladimir Gorbik | B Major | 0 | 1B | 103 BPM | ||
Alleluia, Alleluia, Praise the Risen Son! | Steven C. Warner, Newman Vocare Ensemble, The Choral Scholars of University College Dublin, Carolan String Quartet, Jane Bergeron O'Keefe, Michele D. Warner, Meadhbh O'Rourke, Anne-Marie O'Farrell | A Major | 3 | 11B | 122 BPM | ||
Like as the Hart Desireth the Water Brooks, So Longeth My Soul After Thee, O God (Psalm 42) | Samuel Wesley, Gloriae Dei Cantores, Elizabeth C. Patterson, Unknown Artist | G Major | 2 | 9B | 101 BPM | ||
Da Ispolnatsja | Choirs Of Annunciation Byzantine Catholic Church | D Major | 3 | 10B | 91 BPM | ||
First Antiphon - Arch. Matthew | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | D♭ Major | 2 | 3B | 85 BPM | ||
Exposition: O Saving Victim | Abbé Dieudonne Duguet, St. Thomas Aquinas | E♭ Major | 1 | 5B | 75 BPM | ||
Psalm 47: Oh, Clap Your Hands | David R. Erb | D Major | 2 | 10B | 67 BPM | ||
The Eyes of All Look to Thee | Monastery Choir of St. John of San Francisco | G Major | 1 | 9B | 126 BPM | ||
Liturgy of St. John Chrysostom: No. 1, Great Litany | Benedict Sheehan, The Saint Tikhon Choir, Michael Hawes, Jason Thoms | B Major | 1 | 1B | 135 BPM |
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