"Etude Op. 25 no. 11 in a minor" by Valentina Lisitsa was released on March 1, 2020. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 23 out of 24 in Frédéric Chopin 24 Etudes by Valentina Lisitsa. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Etude Op. 25 no. 11 in a minor is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Etude Op. 25 no. 11 in a minor by Valentina Lisitsa is Presto (very, very fast), since this song has a tempo of 182 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
10 Preludes, Op.23: No.5 in G Minor - Live At The Royal Albert Hall/2012 | Sergei Rachmaninoff, Valentina Lisitsa | G Minor | 2 | 6A | 127 BPM | ||
Polonaise brillante No. 1 in D Major, Op. 4 | Henryk Wieniawski, James Ehnes, Eduard Laurel | D Major | 2 | 10B | 99 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 3 | 6B | 144 BPM | ||
The Hours: I'm Going To Make A Cake (Arr. Michael Riesman) | Philip Glass, Valentina Lisitsa | F Major | 1 | 7B | 130 BPM | ||
Songs Without Words, Book VI Opus 67: No. 5 in B Minor | Felix Mendelssohn, Bertrand Chamayou | B Minor | 0 | 10A | 64 BPM | ||
Erlkönig, D. 328 (Op.1): Wer reitet so spät | Franz Schubert, Evgeny Kissin | G Minor | 2 | 6A | 132 BPM | ||
Serenade in E Minor, Op. 20: III. Allegretto | Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz | G Major | 1 | 9B | 89 BPM | ||
The Piano: The Attraction Of The Pedalling Ankle | Michael Nyman, Valentina Lisitsa | A Minor | 0 | 8A | 77 BPM |
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