"Iberia, Suite for Piano, Book 3: III. Lavapiés" by Alicia de Larrocha was released on February 14, 2012. Since Iberia, Suite for Piano, Book 3: III. Lavapiés is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Karol Szymanowski's "Impressionist Masterminds" album is number 40 out of 50. Based on our statistics, Iberia, Suite for Piano, Book 3: III. Lavapiés's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Iberia, Suite for Piano, Book 3: III. Lavapiés by Alicia de Larrocha to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romanzas sin palabras | Alicia de Larrocha, Marta Zavaleta | B♭ Major | 1 | 6B | 65 BPM | ||
Nocturne No. 11 In E Flat Major, H. 56a: Nocturne No. 11 In E Flat Major | Benjamin Frith, John Field | E♭ Major | 0 | 5B | 74 BPM | ||
Cançons i dansas: No. 1 | Federico Mompou, Alicia de Larrocha | D♭ Minor | 0 | 12A | 66 BPM | ||
Lyric Pieces, Op. 38: VIII. Kanon - Allegretto con moto | Edvard Grieg, Javier Perianes | E♭ Minor | 0 | 2A | 82 BPM | ||
Albeniz: Suite Espanola: Aragon | Alicia de Larrocha | G Minor | 1 | 6A | 106 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio (Cadenza by Rostropovich) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 90 BPM | ||
Caresse | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 73 BPM | ||
Jugando | Alicia de Larrocha, Marta Zabaleta | A Minor | 1 | 8A | 68 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Images - Book 1, L. 110: III. Mouvement | Claude Debussy, Arturo Benedetti Michelangeli | A Major | 0 | 11B | 126 BPM |
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