Joaquín Rodrigo, Charles Ramirez, Douglas Boyd, Chamber Orchestra of Europe's 'Fantasía para un gentilhombre: IV. Canario' came out on February 28, 2011. Fantasía para un gentilhombre: IV. Canario is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Rodrigo: Concierto de Aranjuez, Fantasía Para un Gentilhombre, Elogio de la guitarra". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Fantasía para un gentilhombre: IV. Canario's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fantasía para un gentilhombre: IV. Canario by Joaquín Rodrigo, Charles Ramirez, Douglas Boyd, Chamber Orchestra of Europe having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
Mandolin Concerto in C Major, RV 425: III. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 4 | 8B | 148 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: 1. Villano y Ricercare (Adagietto - Andante moderato) | Joaquín Rodrigo, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 103 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Nocturne | Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Minor | 1 | 7A | 69 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Gayane Suite No. 2: V. Lullaby | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Minor | 1 | 6A | 83 BPM | ||
Por los campos de Espana: No. 1. En los trigales | Joaquín Rodrigo, Jérémy Jouve | G Minor | 1 | 6A | 87 BPM | ||
Csárdás | Vittorio Monti, Philippe Graffin, Claire Désert | D Minor | 2 | 7A | 181 BPM | ||
Four Horsemen of the Apocalypse: Theme | André Previn, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 83 BPM |
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