"Symphony No. 4, "Das Siegeslied" (Psalm of Victory): II. Du bist in die Hohe gefahren" by Havergal Brian, Jana Valášková, Slovak National Opera Chorus, Slovak Philharmonic Chorus, Echo Youth Choir, Cantus Mixed Choir, Brno Philharmonic Choir, Slovak Radio Symphony Orchestra, Adrian Leaper was released on November 6, 1992. The duration of Symphony No. 4, "Das Siegeslied" (Psalm of Victory): II. Du bist in die Hohe gefahren is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Symphony No. 4, "Das Siegeslied" (Psalm of Victory): II. Du bist in die Hohe gefahren's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 19 in Brian: Symphonies Nos. 4 and 12 by Havergal Brian, Adrian Leaper. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Symphony No. 4, "Das Siegeslied" (Psalm of Victory): II. Du bist in die Hohe gefahren is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 4, "Das Siegeslied" (Psalm of Victory): II. Du bist in die Hohe gefahren by Havergal Brian, Jana Valášková, Slovak National Opera Chorus, Slovak Philharmonic Chorus, Echo Youth Choir, Cantus Mixed Choir, Brno Philharmonic Choir, Slovak Radio Symphony Orchestra, Adrian Leaper is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dance Symphony (1999 Digital Remaster): Introduction: Lento - molto allegro | Aaron Copland, Enrique Bátiz/Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz, Orquesta Filarmónica de la Ciudad de México | C Major | 0 | 8B | 130 BPM | ||
Symphony No. 5: II. Scherzo. Presto misterioso | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Frustration | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 9 | 9B | 125 BPM | ||
Variation 8: Molto sostenuto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | E Major | 0 | 12B | 78 BPM | ||
Sibelius: Symphony No. 1 in E Minor, Op. 39: II. Andante, ma non troppo lento | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia | William Walton, London Symphony Orchestra, Sir Colin Davis | F Major | 2 | 7B | 153 BPM | ||
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Die Harmonie der Welt Symphony: II. Musica Humana | Paul Hindemith, Yan Pascal Tortelier, BBC Philharmonic Orchestra | D♭ Major | 0 | 3B | 74 BPM | ||
The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks | A♭ Major | 0 | 4B | 64 BPM | ||
5 Pieces for Orchestra, Op.16 - Original version of 1909: 1. Vorgefühle | Arnold Schoenberg, Cleveland Orchestra, Christoph von Dohnányi | D♭ Major | 3 | 3B | 72 BPM |
Section: 0.8309931755065918
End: 0.8372387886047363