Władysław Szpilman's 'Paraphrase über einen Walzer von Robert Stolz' came out on September 2, 2002. The duration of Paraphrase über einen Walzer von Robert Stolz is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Paraphrase über einen Walzer von Robert Stolz's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "The Original Recordings of the Pianist". In this album, this song's track order is #6. Paraphrase über einen Walzer von Robert Stolz is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Paraphrase über einen Walzer von Robert Stolz by Władysław Szpilman having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
WHEN THE GRASS WAS GREENER / Nino Rota: Valzer | Nino Rota, Alice Sara Ott | E Major | 1 | 12B | 71 BPM | ||
12 Lieder von Schubert, S. 558: No. 4, Erlkönig, D. 328 | Franz Liszt, Evgeny Kissin | G Minor | 2 | 6A | 88 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Alexander Dolukhanian, Karine Poghosyan | E Minor | 1 | 9A | 95 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
X. October. Autimn`s Song | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Major | 1 | 9B | 99 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Sonata No. 2: Toccata. Vivo | Grażyna Bacewicz, Władysław Szpilman | E♭ Major | 1 | 5B | 170 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Mozart: Fantasia for Piano in D Minor, K. 397 | Wolfgang Amadeus Mozart, Cyprien Katsaris | E Minor | 0 | 9A | 80 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM |
Section: 0.8006153106689453
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