Joseph Haydn, Alexander Cameron, London Philharmonic Orchestra, Eugen Jochum's 'Symphony No. 95 in C Minor, Hob. I:95: II. Andante' came out on January 1, 2003. With this song being about 5 minutes long, at 5:29, "Symphony No. 95 in C Minor, Hob. I:95: II. Andante" by Joseph Haydn, Alexander Cameron, London Philharmonic Orchestra, Eugen Jochum is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joseph Haydn, London Philharmonic Orchestra, Eugen Jochum's "Haydn: The 12 "London" Symphonies" album is number 2 out of 60. On top of that, Germany appears to be the country where this track was created. Symphony No. 95 in C Minor, Hob. I:95: II. Andante is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 95 in C Minor, Hob. I:95: II. Andante by Joseph Haydn, Alexander Cameron, London Philharmonic Orchestra, Eugen Jochum to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande: Largo | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | B♭ Major | 0 | 6B | 85 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 1B. Rezitativ mit Chor: "Im Anfange schuf Gott Himmel und Erde" | Franz Joseph Haydn, Walter Berry, Fritz Wunderlich, Josef Nebois, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | C Minor | 0 | 5A | 83 BPM | ||
Concerto for 2 Flutes in D Major (Ed. P. Gallois): II. Largo | Saverio Mercadante, Patrick Gallois, Kazunori Seo, Czech Philharmonic Chamber Orchestra | G Major | 1 | 9B | 171 BPM | ||
String Quartet in G Minor, Op. 32, No. 5: String Quartet in G Minor, Op. 32, No. 5: IV. Allegro giusto | Luigi Boccherini, Cuarteto Casals | G Minor | 2 | 6A | 129 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM |
Section: 0.6004447937011719
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