André-Ernest-Modeste Grétry, Edgard Doneux, Jean-Claude Orliac, Mady Mesple, Orchestre de chambre de la RTB made "Grétry: Zémire et Azor, Act 3: Duo. "Rassure mon père" (Zémire, Ali)" available on January 1, 1975. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in André-Ernest-Modeste Grétry, Mady Mesple, Roland Bufkens, Orchestre de chambre de la RTB, Edgard Doneux's "Grétry: Zémire et Azor" album is number 24 out of 44. On top of that, France appears to be the country where this track was created. Grétry: Zémire et Azor, Act 3: Duo. "Rassure mon père" (Zémire, Ali) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Grétry: Zémire et Azor, Act 3: Duo. "Rassure mon père" (Zémire, Ali) by André-Ernest-Modeste Grétry, Edgard Doneux, Jean-Claude Orliac, Mady Mesple, Orchestre de chambre de la RTB to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento in F for String Ensemble, K.138: iii. Presto | Mozart, English Chamber Orchestra, David Blum | C Major | 1 | 8B | 76 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 3: Récit & Trio. Les plaisirs en ces lieux (Florine, Clarice, Dorante) | Jean-Joseph Cassanéa De Mondonville, Adrien Fournaison, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Gwendoline Blondeel | F Minor | 4 | 4A | 141 BPM | ||
Sinfonía 39 Simbad el marino: 3. La isla de diamantes | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 94 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Presto): Chi mai dell'Erebo | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | G Major | 3 | 9B | 122 BPM | ||
Gloria in D Major, RV 589 (Rev. Negri): IX. Qui tollis peccata mundi | Antonio Vivaldi, Olga Hegedus, Rodney Slatford, John Constable, John Alldis Choir, English Chamber Orchestra, Vittorio Negri | D Major | 3 | 10B | 135 BPM | ||
Wind | Radoslaw Pallarz, Jasmin Bachmann, Christina Singer, Anne Angerer, Gesa Jenne, Hendrik Then-Bergh, Frederik Stock | F Minor | 1 | 4A | 90 BPM | ||
Sinfonia Concertante in C Major: II. Romance | Johann Wilhelm Wilms, Harmonie Universelle, Andreas Spering | E♭ Major | 0 | 5B | 92 BPM | ||
Overture in F Major, Op. 8, No. 3: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 95 BPM | ||
Mass No. 4 in C Major, Op. 48, D. 452: Benedictus | Franz Schubert, Claudia Reinhard, Christine Wehler, Raimund Minarschik, Tobias Berndt, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Symphony in E Minor, H. 652, Wq. 177: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM |
Section: 0.7970271110534668
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