- BPM
- 83
- Key
- E Minor
- Camelot
- 9A
The Well-Tempered Clavier, Book I: Fugue No. 18 in A-Flat Minor, BWV 863 - Johann Sebastian Bach, Martin Stadtfeld Information
- Acousticness
- 99%
- Danceability
- 48%
- Energy
- 31%
- Instrumentalness
- 82%
- Liveness
- 13%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 79%
- Popularity
- 1%
- Loudness
- -18.829 dB
Summary
Johann Sebastian Bach, Martin Stadtfeld's ' "The Well-Tempered Clavier, Book I: Fugue No. 18 in A-Flat Minor, BWV 863" was released on its scheduled release date, January 23, 2009. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. The Well-Tempered Clavier, Book I: Fugue No. 18 in A-Flat Minor, BWV 863's duration is considered a little bit shorter than the average duration of a typical track. The song is number 36 out of 48 in Bach: The Well Temperated Piano 1 by Johann Sebastian Bach, Martin Stadtfeld. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The Well-Tempered Clavier, Book I: Fugue No. 18 in A-Flat Minor, BWV 863 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The Well-Tempered Clavier, Book I: Fugue No. 18 in A-Flat Minor, BWV 863 BPM
The tempo marking of The Well-Tempered Clavier, Book I: Fugue No. 18 in A-Flat Minor, BWV 863 by Johann Sebastian Bach, Martin Stadtfeld is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The Well-Tempered Clavier, Book I: Fugue No. 18 in A-Flat Minor, BWV 863 Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Musical Offering, BWV 1079: Canon a 4 | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 1 | 5A | 81 BPM | |
 | Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | |
 | Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | |
 | 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | |
 | Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | |
 | Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | |
 | Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM |
- ISRC
- DEE860800811
- Label
- L-M Records/RCA Records