"Treemonisha / Act two: No. 15 The rescue" by Scott Joplin, Carmen Balthrop, Curtis Rayam, Houston Grand Opera Orchestra, Gunther Schuller was released on January 1, 2005. With Treemonisha / Act two: No. 15 The rescue being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Scott Joplin: Treemonisha". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. The popularity of Treemonisha / Act two: No. 15 The rescue is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Treemonisha / Act two: No. 15 The rescue by Scott Joplin, Carmen Balthrop, Curtis Rayam, Houston Grand Opera Orchestra, Gunther Schuller having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir de Porto Rico (Marcha De Los Jibaros), Op. 31, RO 250 | Louis Moreau Gottschalk, Simon Ghraichy | E♭ Minor | 2 | 2A | 101 BPM | ||
Hungarian Dance No. 5 in G Minor | London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
A Trumpeter's Lullaby | Leroy Anderson | F Major | 3 | 7B | 91 BPM | ||
Tritsch-Tratsch-Polka, Op. 214 | Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky | A Major | 4 | 11B | 83 BPM | ||
The Black And White Rag | New Orleans Ragtime Band | G Major | 5 | 9B | 111 BPM | ||
Grande valse brillante in E-Flat Major, Op. 18 | Frédéric Chopin, Arthur Rubinstein | A♭ Major | 1 | 4B | 117 BPM | ||
Jazz Suite No.2: 7. Dance II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D Major | 1 | 10B | 84 BPM | ||
The Easy Winners | William Morton | A♭ Major | 3 | 4B | 93 BPM | ||
Murder On The Orient Express - Waltz | Richard Rodney Bennett | C Major | 2 | 8B | 51 BPM | ||
The Cascades, A Rag | Scott Joplin, Benjamin Loeb | C Major | 2 | 8B | 173 BPM |
Section: 0.6558530330657959
End: 0.6599676609039307