"Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied" by Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1995. Since Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Strauss, R.: Also sprach Zarathustra; Till Eulenspiegel; Don Juan; Salome's Dance Of The Seven Veils". In this album, this song's track order is #8. In terms of popularity, Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied by Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in C Minor, WAB 101 "Linz" (1866 Version): III. Scherzo. Schnell – Trio. Langsamer | Anton Bruckner, Berliner Philharmoniker, Seiji Ozawa | C Minor | 1 | 5A | 109 BPM | ||
Elektra: X. Wenn das rechte Blutopfer… | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Gunilla Söderström, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
Piano Concerto in G Major, M. 83: 3. Presto | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 81 BPM | ||
Symphony In D Minor: 3. Allegro non troppo | César Franck, Berliner Philharmoniker, Carlo Maria Giulini | G Major | 1 | 9B | 65 BPM | ||
Variations On A Theme By Haydn, Op.56a: Finale: Andante | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 125 BPM | ||
Elektra: Ii. Allein! Weh, ganz allein | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Tosca / Act III: "Io de´ sospiri" | Giacomo Puccini, Wolfgang Bünten, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 80 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Holberg Suite, Op.40: 2. Sarabande (Andante) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 85 BPM |
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