"ピアノソナタ 第14番 嬰ハ短調 作品27-2 「月光」 I. Adagio sostenuto" by Ludwig van Beethoven, Kyohei Sorita was released on July 18, 2018. Since ピアノソナタ 第14番 嬰ハ短調 作品27-2 「月光」 I. Adagio sostenuto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 悲愴 / 月光 / 熱情 〜リサイタル・ピース 第2集, so we believe that "ピアノソナタ 第14番 嬰ハ短調 作品27-2 「月光」 I. Adagio sostenuto" is a single. Based on our statistics, ピアノソナタ 第14番 嬰ハ短調 作品27-2 「月光」 I. Adagio sostenuto's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ピアノソナタ 第14番 嬰ハ短調 作品27-2 「月光」 I. Adagio sostenuto by Ludwig van Beethoven, Kyohei Sorita is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 19: 1. Andante con moto "Sweet Remembrance" | Felix Mendelssohn, András Schiff | E Major | 0 | 12B | 84 BPM | ||
ジムノペディ 第1番(サティ) | 津田真理 | G Major | 0 | 9B | 75 BPM | ||
18 Études, Op. 109: No. 12, Le réveil dans les bois | Franz Burgmüller, Carl Petersson | F Major | 4 | 7B | 194 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
ペール・ギュント 第 1組曲, 作品 46: 1. 朝 | Edvard Grieg, Gerd Albrecht, Yomiuri Nippon Symphony Orchestra | F♯ Major | 3 | 2B | 133 BPM | ||
4 Preludes for Piano, Op. 61: No. 1, Pensieroso | Ignaz Friedman, Joseph Banowetz | B Major | 0 | 1B | 73 BPM | ||
3つのノヴェレッテ 第1曲 ハ長調 | プーランク, Kyohei Sorita, 荒木奏美, MLMナショナル管弦楽団 | D Major | 2 | 10B | 114 BPM | ||
Suite bergamasque, L. 75: 3. Clair de lune | Claude Debussy, Jacques Février | A Major | 0 | 11B | 115 BPM | ||
Piano Sonata in A Major, Op. Posth. 120, D. 664: I. Allegro Moderato (Live) | Franz Schubert, Kyohei Sorita | A Major | 0 | 11B | 107 BPM | ||
Huit Nocturnes, Op. 368: No. 4 in D-Flat Major | Carl Czerny, Isabelle Oehmichen | D♭ Major | 0 | 3B | 134 BPM |
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