"Le sacre du printemps (1947 version): Pt. 2 "The Sacrifice", Sacrificial Dance" by Igor Stravinsky, Pierre Boulez, The Cleveland Orchestra was released on 1948. With this song being about 5 minutes long, at 4:36, "Le sacre du printemps (1947 version): Pt. 2 "The Sacrifice", Sacrificial Dance" by Igor Stravinsky, Pierre Boulez, The Cleveland Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Igor Stravinsky's "Igor Stravinsky - Le sacre du printemps (100th Anniversary Collectors Edition)" album is number 14 out of 145. On top of that, United States appears to be the country where this track was created. Based on our statistics, Le sacre du printemps (1947 version): Pt. 2 "The Sacrifice", Sacrificial Dance's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le sacre du printemps (1947 version): Pt. 2 "The Sacrifice", Sacrificial Dance by Igor Stravinsky, Pierre Boulez, The Cleveland Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Sir Colin Davis, London Symphony Orchestra | A♭ Major | 1 | 4B | 83 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | D Major | 1 | 10B | 110 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Symphony No.1 in D minor, Op.13: 2. Allegro animato | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | F Major | 0 | 7B | 94 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Dutilleux: Sonatine for Flute and Piano: II. Andante espressivo - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 1 | 3A | 88 BPM |
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