Silvius Leopold Weiss, Lutz Kirchhof made "Suite in D Minor: IV. Courante" available on 1992. The duration of Suite in D Minor: IV. Courante is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Suite in D Minor: IV. Courante's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weiss: Lute Works, Vols. I & II by Silvius Leopold Weiss, Lutz Kirchhof. The song's track number on the album is #13 out of 47 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Suite in D Minor: IV. Courante's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Suite in D Minor: IV. Courante by Silvius Leopold Weiss, Lutz Kirchhof has a tempo of 150 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite in D Minor: IV. Courante being at 150 BPM, the half-time would be 75 BPM with a double-time of 300 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Sonata in F Minor, K. 466 (Arr. for Guitar by Michael Lewin) | Domenico Scarlatti, Miloš Karadaglić | E Minor | 1 | 9A | 130 BPM | ||
Armoniosi toni di varie suonate musicali, Op. 7: Passacaglia | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 110 BPM | ||
Ayres for the Violin (arr. for guitar): Aria II | Nicola Matteis, Pierre Pitzl | B Major | 0 | 1B | 99 BPM | ||
Waltz Op.69 No.2 arr_ | Roland Dyens | D Major | 2 | 10B | 85 BPM | ||
Fantasia Basso solo | Bartolomeo de Selma, Sylvain Bergeron, Margaret Little | A Minor | 1 | 8A | 77 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
[Suite en sol mineur]: I. Prélude (No. 63) | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 0 | 11A | 115 BPM | ||
Suite in G Minor: VI. Passacaille | Francesco Corbetta, Antonio Ligios | F Minor | 0 | 4A | 78 BPM | ||
Ballet des fous et des estropiés de la cervelle: III. Entrée des Fantasques | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Major | 1 | 9B | 112 BPM |
Section: 0.613947868347168
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