Traditional, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble's 'A maiden most gentle' had a release date set for September 1, 1991. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. A maiden most gentle's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 19 in Bach Choir sing Family Carols by The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, A maiden most gentle is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A maiden most gentle by Traditional, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ola, o che bon eccho! | Orlande de Lassus, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 1 | 2A | 63 BPM | ||
Magnificent cum Alleluia (Song of Praise) | Nóirín Ní Riain | G Minor | 1 | 6A | 107 BPM | ||
Benjamin Britten: A Hymn to the Virgin | Benjamin Britten, Schola Cantorum, Tone Bianca Sparre Dahl | A Minor | 1 | 8A | 71 BPM | ||
Lux Aurumque | Eric Whitacre, Eric Whitacre Singers | D♭ Minor | 0 | 12A | 72 BPM | ||
Responsorios: Benedictus (a 4 v.m.) - Remastered | Schola Cantorum de la Universidad Pontificia de Comillas | E♭ Major | 5 | 5B | 115 BPM | ||
Marianne (arr. P. Wilby) | Philip Wilby, Traditional, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E Major | 0 | 12B | 76 BPM | ||
Nocturnes: III. Sure On This Shining Night (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 105 BPM | ||
Glorious Miracle | "Drevnerussky Rospev" Male Choir | B♭ Major | 0 | 6B | 107 BPM | ||
Susato: 12 Dances from the Danserye: III. Ronde and Salterelie | Tylman Susato, David Munrow | F Major | 2 | 7B | 112 BPM | ||
Ave Maria - Bach Gounod | Hannah Holgersson | G Major | 2 | 9B | 112 BPM |