"Les Heures persanes (Persian Hours), Op. 65bis: XI. A l'ombre, pres de la fontaine de marbre (In the shade, near the marble fountain)" by Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger was released on January 1, 2007. The duration of Les Heures persanes (Persian Hours), Op. 65bis: XI. A l'ombre, pres de la fontaine de marbre (In the shade, near the marble fountain) is about 3 minutes long, at 3:09. Based on our data, "Les Heures persanes (Persian Hours), Op. 65bis: XI. A l'ombre, pres de la fontaine de marbre (In the shade, near the marble fountain)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger's "Koechlin: Les Heures Persanes, Op. 65Bis" album is number 11 out of 16. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Les Heures persanes (Persian Hours), Op. 65bis: XI. A l'ombre, pres de la fontaine de marbre (In the shade, near the marble fountain)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Heures persanes (Persian Hours), Op. 65bis: XI. A l'ombre, pres de la fontaine de marbre (In the shade, near the marble fountain) by Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Lyric Pieces, Op. 54: IV. Notturno - Andante | Edvard Grieg, Javier Perianes | C Major | 0 | 8B | 68 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
Prelude | William Alwyn, Ashley Wass | E Minor | 0 | 9A | 170 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
6 Pezzi, P. 44: No. 3. Notturno | Ottorino Respighi, Konstantin Scherbakov | F♯ Major | 0 | 2B | 87 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM |
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