"Schwarzwaldmädel: Dialog 9 (Bärbele, Hannele, Lorle, Malwine, Richard)" by Leon Jessel, Gretl Schörg, Marianne Schubart, Ruth Mönch, Gitta Lind, Willy Hofmann was released on September 29, 2014. With Schwarzwaldmädel: Dialog 9 (Bärbele, Hannele, Lorle, Malwine, Richard) being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leon Jessel, Kölner Rundfunkorchester, Franz Marszalek, Franz Fehringer, Gretl Schörg's "Jessel: Schwarzwaldmädel" album is number 19 out of 30. On top of that, Germany appears to be the country where this track was created. Schwarzwaldmädel: Dialog 9 (Bärbele, Hannele, Lorle, Malwine, Richard) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Schwarzwaldmädel: Dialog 9 (Bärbele, Hannele, Lorle, Malwine, Richard) by Leon Jessel, Gretl Schörg, Marianne Schubart, Ruth Mönch, Gitta Lind, Willy Hofmann to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solemn Moment | John Harry Cacavas | G Major | 3 | 9B | 150 BPM | ||
Petersburger Marsch | Wieland Reissmann | D Major | 2 | 10B | 213 BPM | ||
Fatinitza: March | Franz von Suppé, Slovak Philharmonic, Richard Hayman | A♭ Minor | 6 | 1A | 170 BPM | ||
Elite Syncopations | Scott Joplin, The Orchestra Of The Royal Ballet, Philip Gammon | A Major | 3 | 11B | 168 BPM | ||
Tableau 4 | Serge Baudo, Orchestre du Théâtre National de l'Opéra | A Major | 0 | 11B | 87 BPM | ||
Roller Coaster | Otto M. Schwarz, Bratislava Symphony Orchestra | G Major | 4 | 9B | 119 BPM | ||
Symphonic Poem "Power of Zhangjiajie Nature"Op. 5. | Taras Kutsenko | A Major | 5 | 11B | 116 BPM | ||
Radetzky March, Op. 228 | London Philharmonic Orchestra | A Major | 5 | 11B | 104 BPM | ||
PARADE OF THE TIN SOLDIERS | Leon Jessel, Ad Hoc Wind Orchestra, Jean-Pierre Haeck | B♭ Major | 4 | 6B | 97 BPM | ||
Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | C Minor | 3 | 5A | 80 BPM |
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