"German Symphony: IV. Introduction and Fugue" by Frederick Septimus Kelly, Tasmanian Symphony Orchestra, Benjamin Northey was released on 2016. German Symphony: IV. Introduction and Fugue is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 5 out of 20 in Frederick Septimus Kelly – Orchestral Works by Frederick Septimus Kelly, Benjamin Northey, Tasmanian Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, German Symphony: IV. Introduction and Fugue is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of German Symphony: IV. Introduction and Fugue by Frederick Septimus Kelly, Tasmanian Symphony Orchestra, Benjamin Northey is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto gregoriano, P. 135: I. Andante tranquillo | Ottorino Respighi, Sir Edward Downes, BBC Philharmonic Orchestra, Lydia Mordkovitch | F Major | 0 | 7B | 130 BPM | ||
Romance, Op. 11 | Gerald Finzi, Aurora Orchestra, Nicholas Collon | A♭ Major | 1 | 4B | 93 BPM | ||
12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 2. Orientale | Rafael Ferrer, Enrique Granados, Barcelona Symphony and Catalonia National Orchestra, Salvador Brotons | C Minor | 0 | 5A | 81 BPM | ||
Elegy "In Memoriam Rupert Brooke" | Frederick Septimus Kelly, Tasmanian Symphony Orchestra, Johannes Fritzsch | A Minor | 1 | 8A | 86 BPM | ||
Suite pour instruments d'archet et flûte, P. 57: I. Badinage | Ottorino Respighi, Roberto Fabbriciani, Orchestra Sinfonica Abruzzese, Nicola Paszkowski | B Minor | 1 | 10A | 85 BPM | ||
May Song | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Major | 1 | 12B | 79 BPM | ||
In Such A Day | Carrie Baynes | D Minor | 1 | 7A | 93 BPM | ||
Weinberg: Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Edgar Moreau, Andris Poga, WDR Sinfonieorchester | C Minor | 0 | 5A | 128 BPM | ||
The Men's Project: III. Sky Illusions | Milo Paulus | E♭ Major | 1 | 5B | 69 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: III. Allegro molto - Largamente assai | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | D Major | 2 | 10B | 71 BPM |
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