- BPM
- 75
- Key
- D Major
- Camelot
- 10B
Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Allamande - Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon Information
- Acousticness
- 96%
- Danceability
- 30%
- Energy
- 10%
- Instrumentalness
- 7%
- Liveness
- 18%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 39%
- Popularity
- 11%
- Loudness
- -19.27 dB
Summary
Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon's 'Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Allamande' came out on 1994. With Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Allamande being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra. Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Allamande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Allamande BPM
The tempo marking of Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Allamande by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Allamande Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto XVI In Fa Maggiore, Per Due Oboi, Archi E Continuo: I. Allegro | Alessandro Marcello, Venice Baroque Orchestra | B Major | 1 | 1B | 138 BPM | |
 | Mystery (Rosary) Sonata: No. 3 in B Minor “The Nativity”: I. Sonata | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | |
 | Concerto Grosso in C Minor, Op. 2, No. 2: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 107 BPM | |
 | Partie 5 en si bémol majeur: Saraband | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 1 | 11B | 92 BPM | |
 | Sonata Da Chiesa No. 3 in C Major, Op. 5: I. Adagio | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | B Major | 2 | 1B | 91 BPM | |
 | Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | |
 | Viola da Gamba Suite in D Major: VII. Tempo di minuetto | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 111 BPM | |
 | Concerto in A Minor for 3 Violins, Viola and Basso Continuo: I. Andante Lento | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | |
 | Violin Sonata in E-Flat Major: III. Allegro assai | Franz Benda, Georg Kallweit, Berlin Baroque Compagney | A Major | 1 | 11B | 139 BPM | |
 | 12 Sonatas, Op. 16, Sonata prima: I. Allegro | Isabella Leonarda, Cappella Strumentale del Duomo di Novara | E♭ Minor | 1 | 2A | 115 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6017158031463623
End: 0.6064884662628174