Hans Jurgen Walther, Pro Musica Symphony Orchestra's 'Samson and Delilah, Bacchanale' came out on 1996. Since Samson and Delilah, Bacchanale is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "The Best of Saint-Saens". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Italy. In terms of popularity, Samson and Delilah, Bacchanale is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Samson and Delilah, Bacchanale by Hans Jurgen Walther, Pro Musica Symphony Orchestra having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, Cristina Ortiz, Paavo Berglund, Bournemouth Symphony Orchestra | C Minor | 3 | 5A | 79 BPM | ||
String Quartet in G Major: II. Andante moderato - Allegretto | Florence Beatrice Price, Pacifica Quartet | G Major | 1 | 9B | 99 BPM | ||
Saint-Saëns: Le carnaval des animaux, R. 125: XIV. Final | Camille Saint-Saëns, Michel Plasson, Mikhail Rudy, Tzimon Barto, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 94 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | G Major | 0 | 9B | 131 BPM | ||
A Symphonic Mass: IV. Offertorium | George Lloyd, Bournemouth Symphony Orchestra | G Major | 3 | 9B | 131 BPM | ||
25 Études faciles et progressives, Op. 100: No. 14, La styrienne | Franz Burgmüller, The Gerst Ensemble | G Major | 0 | 9B | 99 BPM | ||
A Fugal Concerto, Op. 40: III. Allegro | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: IV. Presto - Poco a poco rallentando al adagio | Jean Sibelius, Paavo Berglund, Bournemouth Symphony Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
Armida: Armida: Sinfonia in Pantomima | Antonio Salieri, Mannheim Mozart Orchestra, Thomas Fey | G Major | 1 | 9B | 83 BPM | ||
Verbunkos Suite: II. Fresh Hungarian | Rezsö Kókai, Ágnes Szakály, Miskolc Symphony Orchestra, Laszlo Kovacs | G Major | 2 | 9B | 118 BPM |
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