Frédéric Chopin, Alfred Cortot, Peter Phillips's 'Polish Songs, Op. 74: No. 1, Maiden's Wish (Arr. By Liszt) - Duo-Art 6478' came out on April 2, 2024. The duration of Polish Songs, Op. 74: No. 1, Maiden's Wish (Arr. By Liszt) - Duo-Art 6478 is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Polish Songs, Op. 74: No. 1, Maiden's Wish (Arr. By Liszt) - Duo-Art 6478's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ignacy Jan Paderewski, Maurice Dambois, Frédéric Chopin, Franz Liszt, Camille Saint-Saëns's "Intermezzo. Chopin, Liszt & Saint-Saëns in Time" album is number 3 out of 20. On top of that, Germany appears to be the country where this track was created. Polish Songs, Op. 74: No. 1, Maiden's Wish (Arr. By Liszt) - Duo-Art 6478 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Polish Songs, Op. 74: No. 1, Maiden's Wish (Arr. By Liszt) - Duo-Art 6478 by Frédéric Chopin, Alfred Cortot, Peter Phillips to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro | Johann Christian Bach, Daniil Trifonov | A Major | 1 | 11B | 135 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Debussy: Preludes, Book 1, L. 117: II. Voiles | Claude Debussy, Fazıl Say | E♭ Major | 0 | 5B | 133 BPM |
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