Chorra - Carlos Gardel Information

Acousticness
98%
Danceability
71%
Energy
22%
Instrumentalness
0%
Liveness
11%
Loudness
70%
Speechiness
24%
Valence
70%
Popularity
Loudness
-18.115 dB

Summary

Carlos Gardel made "Chorra" available on January 1, 1997. The duration of Chorra is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Chorra's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Poesía Lunfarda". In this album, this song's track order is #14. Based on our statistics, Chorra's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Chorra BPM

With Chorra by Carlos Gardel having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Chorra Key

E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
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Como Dos Extraños by Roberto GoyenecheComo Dos ExtrañosRoberto GoyenecheD Major410B70 BPM
Gricel by Omar MolloGricelOmar MolloE Minor69A146 BPM
Barrio de Tango - En Vivo by Ariel Ardit, Orquesta TipicaBarrio de Tango - En VivoAriel Ardit, Orquesta TipicaF Major47B122 BPM
El Firulete (with Leopoldo Federico y Su Orquesta) by Julio Sosa, Leopoldo Federico y su OrquestaEl Firulete (with Leopoldo Federico y Su Orquesta)Julio Sosa, Leopoldo Federico y su OrquestaA♭ Major74B60 BPM
Abandono by Pedro Laurenz, Hector FarrelAbandonoPedro Laurenz, Hector FarrelE Minor49A125 BPM
Siempre Se Vuelve a Buenos Aires by Elena RogerSiempre Se Vuelve a Buenos AiresElena RogerG Major59B111 BPM
Yira...Yira (with Atilio Stampone y su Orquesta Tipica) by Roberto Goyeneche, Atilio Stampone y su Orquesta TipicaYira...Yira (with Atilio Stampone y su Orquesta Tipica)Roberto Goyeneche, Atilio Stampone y su Orquesta TipicaE♭ Major35B118 BPM
Adios muchachos by Agustin MagaldiAdios muchachosAgustin MagaldiD♭ Major23B117 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5944499969482422

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