Carlos Gardel made "Chorra" available on January 1, 1997. The duration of Chorra is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Chorra's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Poesía Lunfarda". In this album, this song's track order is #14. Based on our statistics, Chorra's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Chorra by Carlos Gardel having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Si Tu Quisieras | Angelito Martinez | A Minor | 9 | 8A | 98 BPM | ||
Demasiada Presión | Dúo Fuertes Varnerín | E Minor | 4 | 9A | 106 BPM | ||
Como Dos Extraños | Roberto Goyeneche | D Major | 4 | 10B | 70 BPM | ||
Gricel | Omar Mollo | E Minor | 6 | 9A | 146 BPM | ||
Barrio de Tango - En Vivo | Ariel Ardit, Orquesta Tipica | F Major | 4 | 7B | 122 BPM | ||
El Firulete (with Leopoldo Federico y Su Orquesta) | Julio Sosa, Leopoldo Federico y su Orquesta | A♭ Major | 7 | 4B | 60 BPM | ||
Abandono | Pedro Laurenz, Hector Farrel | E Minor | 4 | 9A | 125 BPM | ||
Siempre Se Vuelve a Buenos Aires | Elena Roger | G Major | 5 | 9B | 111 BPM | ||
Yira...Yira (with Atilio Stampone y su Orquesta Tipica) | Roberto Goyeneche, Atilio Stampone y su Orquesta Tipica | E♭ Major | 3 | 5B | 118 BPM | ||
Adios muchachos | Agustin Magaldi | D♭ Major | 2 | 3B | 117 BPM |
Section: 0.5944499969482422
End: 0.5999643802642822