"Misa : Kyrie de la Misa de octavo tono" by La Grande Chapelle, Schola Antiqua, Albert Recasens was released on May 9, 2011. With Misa : Kyrie de la Misa de octavo tono being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in La Grande Chapelle's "Juan García de Salazar : In dominica palmarum" album is number 9 out of 19. On top of that, France appears to be the country where this track was created. In terms of popularity, Misa : Kyrie de la Misa de octavo tono is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Misa : Kyrie de la Misa de octavo tono by La Grande Chapelle, Schola Antiqua, Albert Recasens to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sanctus from Off. Terra Tremuit | The Benedictine Nuns of St. Cecilia's Abbey | E♭ Major | 3 | 5B | 126 BPM | ||
An Scottish Dance / I Never Knew Ye Loved Me | Public Domain, Hesperus Early Music Ensemble, Grant Herried | C Major | 1 | 8B | 150 BPM | ||
Waltz No 2 | Andy Morris | C Minor | 2 | 5A | 181 BPM | ||
Officium Defunctorum: II. Invitatorium | Cristobal de Morales, Public Domain, Jordi Savall | F Minor | 1 | 4A | 85 BPM | ||
Pange Lingua Gloriosi (Himno) | Monks And Choir Boys Of Downside Abbey | E Minor | 1 | 9A | 67 BPM | ||
Printemps, L. 61: II. Modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 103 BPM | ||
Miss De Angelis: III. Credo III | Gregorian Chants, Karel Frana, Boni Puncti | F♯ Minor | 1 | 11A | 76 BPM | ||
Aria on the G String | Carlos Slivskin | D Major | 3 | 10B | 74 BPM | ||
In omnem terram (Chant) | Dominican House of Studies | F♯ Major | 2 | 2B | 127 BPM | ||
Alma Redemptoris Mater | Monks And Choir Boys Of Downside Abbey | D Major | 1 | 10B | 76 BPM |
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