Carl Michael Ziehrer, Vienna Walzer Orchestra, Sandro Cuturello's 'Donausagen, op. 446' came out on July 4, 2019. Since Donausagen, op. 446 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Rota - Di Chiara - Strauss -Waldteufel -Zeller - Raymond - Ziehrer - Suppé - Anderson: Vienna Walzer Orchestra, Waltz Forever, vol 9 , Japan 2014-2018". In this album, this song's track order is #14. In terms of popularity, Donausagen, op. 446 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Donausagen, op. 446 by Carl Michael Ziehrer, Vienna Walzer Orchestra, Sandro Cuturello having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
Carmen Ballet: Second Intermezzo | Arthur Fiedler | E Major | 2 | 12B | 145 BPM | ||
The Portuguese Washerwoman | Percy Faith | G Major | 4 | 9B | 173 BPM | ||
The Barber of Seville: "Largo al factotum" - Instrumental | Gioachino Rossini, Andre Kostelanetz & His Orchestra | C Major | 5 | 8B | 115 BPM | ||
Der Freischütz, J. 277 / Act III: "Was gleicht wohl auf Erden dem Jägervergnügen?" | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus | D Major | 5 | 10B | 124 BPM | ||
Ball bei Hof: Duet: Walzer tanz’ ich gern (arr. H. Schadenbauer for voice and orchestra) | Carl Michael Ziehrer, Hans Schadenbauer, Andrea Bogner, Jorg Schneider, Original C.M. Ziehrer Orchestra | C Major | 3 | 8B | 176 BPM | ||
Gräfin Mariza, IEK 4: Komm mit nach Varasdin | Emmerich Kálmán, Donau Philharmonie Wien, Gabrielle Heidelberger, Armin Kolarczyk | F Major | 3 | 7B | 85 BPM | ||
Wien bleibt Wien, Marsch | Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar | D Major | 4 | 10B | 122 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
La Norma: Ouverture | Vincenzo Bellini, Rundfunkorchester Des Südwestfunks, Klaus Arp3 | A Major | 1 | 11B | 123 BPM |
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