"Jess Kennedy" by Hollie Graham was released on July 2, 2022. With Jess Kennedy being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Jess Kennedy and no other songs are present in the album, we classify this track as a single. On top of that, Netherlands appears to be the country where this track was created. Jess Kennedy is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jess Kennedy by Hollie Graham to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Satoki Hito Tachi | Yuji Yoshino | D Minor | 3 | 7A | 177 BPM | ||
Time to Die | Chris Vrenna | B Minor | 3 | 10A | 88 BPM | ||
Jugarretas | Almas Paralelas | F♯ Minor | 2 | 11A | 76 BPM | ||
Midnight in Chantilly | Lucas Peire, Frank Montasell | D♭ Major | 5 | 3B | 150 BPM | ||
Short Fuse | Brian Tyler, Breton Vivian | G Minor | 1 | 6A | 83 BPM | ||
Already Dead | Dan Deacon, London Contemporary Orchestra, Royal Scottish National Orchestra | F Minor | 1 | 4A | 91 BPM | ||
father's whereabouts | HOTTEL | C Major | 2 | 8B | 100 BPM | ||
We've All Been Deserted | Mac Quayle | B Major | 8 | 1B | 152 BPM | ||
L'après-midi | Marco Monteverde | G Minor | 3 | 6A | 120 BPM | ||
Glittermåne | Daniel Olsén | A Minor | 2 | 8A | 48 BPM |
Section: 0.5800981521606445
End: 0.5839717388153076